Tips to improve your photos

1. Choose an interesting subject to photograph

One of the easiest ways to improve your photography is by taking photos of interesting subjects. Of course, you can take great creative photos of uninteresting subjects, but if you choose an interesting subject to photograph in the first place, it makes taking a great photo much easier.

So where do you find these interesting subjects? They can be found everywhere, from a stormy landscape, to a simple street scene, to a flower in your garden or local park.

Just take a walk around your local neighbourhood with your camera, and you’re sure to find something interesting to photograph.

2. Pay attention to the light quality

Something that has a big effect on how your photograph looks is the quality of light that is hitting your subject. There are two aspects of lighting that you need to pay attention to – the colour of the light and how harsh / diffused the light is.

Colour temperature

As a general rule, we tend to prefer photos with a warm (golden) tone. The warmest light naturally occurs around sunrise and sunset, and this is why many landscape photographers prefer this time of day.

The colour temperature of a photo can also be modified by adjusting the white balance setting on your camera. And if you are taking photos using flash, you can use a warming gel on the flash to warm up the light.

Of course, in some instances you may want to go the opposite way, and use light with a cold (blue) colour temperature.

Diffuse vs. harsh light

Diffuse light is where the light creates soft shadows, which is preferred for most types of photography, but particularly portraits.

Diffused light can be created by reflecting light from a large surface (like a wall), or by using a large piece of semi-transparent material between the light and your subject. This works the same way as when there is a thin layer of cloud, which diffuses the sunlight and creates a nice soft light.

Harsh light creates strong shadows. Natural light is at its harshest around midday, while an undiffused flash will also create a harsh light. When shooting with harsh light, try and use the strong shadows it creates to your advantage, incorporating them as an element of your photograph.

3. Compose your photograph carefully

When taking a photograph, it’s all too easy to just point and shoot. However, try and take a bit more time to think about the photo and the composition.

Rule of thirds

Composition is how the elements in the photograph are arranged, and a good guideline for composition is the ‘rule of thirds’. The rule of thirds works by splitting an image into thirds both horizontally and vertically, so you end up with 9 sections.

In many good landscape photographs, you will see the photographer places the horizon in the top third of the photo, while the landscape takes up the bottom two thirds of the photo.

As well as placing elements along the thirds lines, you can also try and put your main point of focus so that it falls on the intersection of two of the thirds lines.

The Golden triangle

The golden triangle is a good compositional guideline to use when your photograph contains strong diagonal elements. It involves splitting the photo into three triangles that contain the same angles (are the same shape).

One right-angled triangle runs diagonally from corner to corner, while the other two triangles are created by drawing a line that goes from one of the other corners to meet the diagonal line at a right angle. Try and place the diagonal elements in the frame so that they follow this pattern for a pleasing composition.

Leading lines and converging lines

Use leading lines or converging lines to draw the viewer’s eye into the image. Good examples of this you can use in landscape photography are roads, paths, fences, hedges etc, really anything that creates a line that leads into the photo.

Try and avoid including lines that lead out of the photo as this has the opposite effect, and leads the viewer’s eye out of the photo.

The Fibonacci spiral or Golden spiral

The Fibonacci spiral is a spiral based on the Fibonacci sequence, while the Golden spiral is based on theGolden ratio. Both are very similar, and can be used as a compositional tool.

If you look at a curled up fern, this roughly follows the spiral pattern. By photographing a subject where the elements can be arranged in the golden spiral pattern, the curve of the spiral will help lead the viewer’s eye through the photograph.

4. Check the exposure

One of the main advantages of digital photography is the ability to check the photo on the camera’s rear LCD. When taking photos, you should check that the photo has been exposed properly, i.e. is not too dark or too bright. Although modern cameras have sophisticated auto exposure systems, they don’t always get it right.

As well as inspecting the image, most digital cameras also have a couple of tools that can help you judge the exposure of an image. The first one is Highlight Warning, colloquially known as ‘blinkies’. What this does is that any areas blown out white will flash when reviewing the photo on the camera’s LCD.

The second tool is the histogram. This is a graph that shows the range of tones in your photo. If there is a peak at the very left edge of the histogram, this means that some of your photo is solid black. And if there is a peak at the very right edge of the histogram, this means that some of your photo is solid white.

Either way, areas of the photo that are solid white or black contain no detail. Maybe this is what you want, but generally it is better to have detail available even if you don’t need it.

You can modify the exposure of the photo by adjusting the exposure compensation. Use negative exposure compensation to darken the photo, or positive exposure compensation to brighten. Take the photo again, check the exposure again, and repeat if any more exposure adjustment is necessary.

Generally the ideally exposed photo is one that is as bright as possible without any detail being blown out white. You can then adjust the photo on the computer to darken it if needed. It is an extra step, but maximises the image quality.

5. Reduce camera shake

Blurry photos can be a problem, especially if shooting handheld when it is relatively dark. The key to reducing blur caused by camera shake is either to make sure you are using a fast shutter speed or to make sure the camera has a solid support like a tripod.

To ensure a fast shutter speed, put your camera in the shutter priority shooting mode. As a general rule, the shutter speed should be 1 over the 35mm equivalent focal length, e.g.

  • A full frame camera with a 50mm lens would need 1/50s shutter speed for a sharp handheld photo
  • A 50mm lens on a camera with an APS-C sized sensor has a 35mm equivalent focal length of 75mm, and so would need 1/75s shutter speed for a sharp handheld photo
  • A four thirds camera has a 2x crop factor, meaning a 50mm lens has the equivalent 35mm focal length of 100mm. So it would need at least 1/100s for a sharp handheld photo

The actual shutter speed you need will depend on your handholding ability. To try and give the camera more support when shooting handheld, hold the camera up against your eye, use both hands to grip the camera, and push your elbows in against your stomach / chest.

If using a fast shutter speed makes your photos too dark, try increasing your camera’s ISO setting, and / or using a wider aperture. This will allow more light to reach the camera’s sensor without having to reduce the shutter speed. If you are photographing a person or nearby object you can also use flash to provide enough light for a fast shutter speed.

The alternative to increasing the shutter speed is to use a tripod or some other form of support (e.g. placing the camera on a wall or table). Make sure the camera is secured tightly on the tripod and either use a cable release or self timer to trigger the camera’s shutter. This way the camera doesn’t receive any shake from the process of pressing and releasing the shutter button.

skills of photography

Portrait photographing skills and post-production of “MoriGirl Style”

Using the backlight to produce dazzling outline light around the figures and building a kind of very wonderful atmosphere is a good way to shoot mori style’s photos. Post-production revising also can let the screen with more “MoriGirl Style”.

The glare photographing portraits when use the backlighting skillfully

The photographer Warrior likes to use glare to photograph backlighting portrait, he does not use flash to fill light, because the flash can darken the background in a certain extent and destroy the atmosphere of natural environment, so you should control exposure value well under the glare.

When the glare is relatively strong, you can reduce the exposure half a block after carrying out photometry of the face, then you need to adjust the position of the camera. The aperture is F1.4 and shutter speed is 1/1250 seconds, set sensitivity to ISO 100, use Canon 5 d Mark II and Canon EF35mm F1.4 L lens.

Blow the hair back, and the sun is on the bottom of the model’s head, while the arm appears the glare, it does not affect the subject, so he adjusts the horizontal position of the camera number and captures this moment.

Use smoke to build “Tyndall phenomenon”

The above photo was photographed an hour before the sun set in the evening, at this time, all around were bathed in golden warm light of the setting sun, it was also the golden period of photographing backlighting. Aizi wanted to photograph the dreamy feeling in memory. When photographing, she used the smoke cake, he asked friends to fan up on one side to let the smoke spread, it was around four o ‘clock in the afternoon, the sun was right, the original beam that through the leaves became more obvious under the influence of the smoke, this was what everyone always said “Tyndall phenomenon”. She used Nikon D700 external Nikon AF – S35mm F2 D lens, when photographing the medium shot, she let the model ran in the mist, which presented a dreamy atmosphere, some film used decoking photographing so as to make the pictures have a dream feeling.

Use optional color and color balance to control fundamental tone

For the post-production of “MoriGirl Style”, Nikki often uses optional color and color balance to control the tone. Optional colors focus on adjusting red and yellow to let the environmental tone in the photo tends to warm tone and bright and fresh, adjust the brightness appropriately to add some magic feeling to the photo, match white balance and selective color adjustment to make transparent color of skin coordinated with the environmental tone, and finally remove defects, grinding skin, etc.